Cursive: Vital or Obsolete?

A little cursive history

Cursive — an art, a skill, a necessary piece of knowledge…or is it obsolete? Once upon a time, it was expected that all students would acquire the skills to write and read cursive. It was the norm. The history of learning cursive dates back to when the quill was the only writing implement available. Quills are fragile, and cursive allowed for steady hand movements that protected the quill by not having to be lifted on and off the paper frequently. Aside from preserving the quill, ink would splatter more readily causing a mess. In 1827 the quill was slowly phased out with the invention and patent of the fountain pen — less fragile than a quill, but still having the potential to cause an inky mess. Later in the 19th century, the first ballpoint pen received its patent. This was a game changer.

The ballpoint pen was a turning point because it allowed people to write quicker and more legibly without having to continuously dip their pens in ink. This was especially important for students taking notes. Cursive remained a speedier and more formal handwriting method. However, while cursive was still a much more efficient way to produce letters, ballpoint pens didn’t require the speed of cursive writing, and it slowly began to fall out of favor.

the present day

At some point, an idea developed that children should start out their formal education by forming letters the way they read them in books. They could learn cursive later on, after block print had been established. We have now turned a corner with the access nearly all students have to word processing devices. Many schools have done away with cursive, moving students to the keyboard. But are these students missing out on an important skill?

In her extensively researched book (affiliate link) The Two-Digit Revolution, Celia Batan explores the ways in which cursive influences brain development and learning. She writes, “It shapes the executive functions of the brain for successful academic performance while enhancing creative and critical thinking practices required for meaningful interpretations of what we see.” She also points out some other problems cursive solve that may persist for students such as letter reversal and improper spacing.

one skill, different impacts

The year I taught in a third grade classroom I worked with a teacher who created cursive licenses for students as they completed a cursive program that culminated in a cursive test. The license was almost like a replica of a drivers license, complete with each student’s picture and signature. After it was laminated, students proudly put their cursive licenses in their wallets, right next to their bus passes and MetroCards. (We lived in New York City.) That license was a third grade rite of passage. For many students, cursive was a confidence builder. It gave them another skill they could feel proud of. But there were several students for whom cursive had an even greater impact.

Student #1: The Student with Illegible Handwriting

One of my students struggled immensely with his fine motor skills. His handwriting was evidence. Poor letter formation, letters too large for the lines, and improper spacing, all of which made his writing look illegible. Worst of all, he was embarrassed because he often struggled to read his own writing, and so did others. Handwriting was physically challenging for him even after years of occupational therapy. He dreaded the idea of learning cursive. Instead, he was in for quite the pleasant surprise. Cursive was not only easier, but his handwriting became more legible. And he enjoyed it. Having a swift and constant flow without having to repeatedly lift up his pencil made things a whole lot easier. This wasn’t the case for every student, but it made a difference for this boy.

Student #2: The Artist

Cursive is not just a means of communication. It’s a form of art. Many may not agree, but one of my very artistic students sure did! She saw this newfound skill as a way to enhance her art work.

Student #3: The Budding Historian

Over a school break, one of my students and his family went to Washington, DC. When he returned, he couldn’t stop raving about his trip and all of the sites and museums he visited. The highlight of it all? When he exclaimed, “I learned cursive just in time to read some old letters in one of the museums, and a little bit of the Constitution!”

STUDENT #4: The Traveler

Cursive is required for something as mundane as singing your name on identification. Sure, you can teach a child how to write and connect only the letters in their name. But it’s a splinter skill. A skill that can only be used when signing one’s name. The student is not actually learning how to write in cursive — how to form and connect letters, and to read what others write. One student was preparing for an international trip, and upon receiving her first passport, was thrilled to share that she was able to sign her name because “I just knew how to write the letters together!”

Student #5: The Pen Pal

Upon receiving her cursive license, a student was beaming from ear to ear. “You know, my grandmother will ONLY write me letters in cursive! Now, not only will I be able to read them, but I can write her back too!” The ability for this child to write and read in cursive, gave her membership to a special club in which she could bond with her grandmother in a way she had never been able to before.

Cursive enriched the lives of these students in important ways. While cursive was essential for practical reasons centuries ago, it is essential in different ways today. Do you teach or plan to teach cursive to a young learner?

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6 Ways to Build Background Knowledge

Background knowledge is a significant driving factor behind successful reading comprehension. Without it, readers struggle to make connections and grasp what they are reading. Students will come with different types of background knowledge, some more than others. This will be dependent upon many factors, such as:

  • How language-rich the student’s home environment is (the books read to that student and discussions with caregivers)

  • The access students have had to places such as museums, libraries, and other hands-on learning destinations to develop new knowledge and make connections

  • Extracurricular and enrichment activities

  • Opportunities for travel

  • Exposure to other cultures

The above are variables that we cannot control, so we focus on what we CAN control to build a sturdy framework of background knowledge. Here are my favorite ways for helping students build background knowledge regardless of their socioeconomic background:

  1. Read Alouds

    Read Alouds using picture books with authentic visual information is a powerful way to pack knowledge and information about a new topic.

  2. Field Trips

    Whether virtual or in-person, field trips are fantastic ways to learn about and engage in new topics. Since the pandemic, there is more opportunity now than ever to explore places, history, topics with a click of a mouse, and interact with guides and experts in the field.

  3. Guest Speakers

    Guest speakers can range from a child’s family member in a specific field of interest or relevance to someone in the local community.

  4. Show and Tell with Intention

    This isn’t the type of show and tell done in the early grades. This type of show and tell is done with a specific intention using an explicit outline to follow. The student would prepare an “expert presentation” about the item’s relevance, and facilitate a Q&A to further engage peers in discussion.

  5. Informational and Appropriate Media

    Whether it be a musical performance, famous speech, photographs or other piece of art, or short video, we can use the good that media does have to offer to connect our students with critical background knowledge.

  6. Sensory Experiences

    Engage students’ senses to connect more deeply with topics. Studying coconuts? Bring one in to explore. Learning about medicinal plants? Bring in an aloe plant!

Background knowledge should always be presented with rich, academic vocabulary that students become fluent in, both receptively and expressively.


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Supporting Upper Elementary Readers

I’ll never forget what a colleague of mine told me in my early days of teaching: “Once the kids get to third grade, there isn’t a way to help them figure out a word. You just have to tell them what it is, and then they’ll memorize it.” 🙄

I know, I know. 

This didn’t sit well with me, but I had no authority and little experience with this grade level at the time. What I did, however, was my own detective work to uncover the truth, and to help those students out.

You cannot tell me that once a child is in third grade reading instruction ends, and that there is no way to support these readers to read the longer, multisyllabic words in their chapter books and content texts across curricula.

So what did I do? I watched and listened. I observed the types of words that were stumping these readers. 

Here is what I discovered about most of them:

  • With some of the words, students could have used knowledge of advanced phoneme-grapheme relationships to blend and sound out words. They could have tried different sounds made by the same letter. For example, EA and CH each make three different and unique sounds. 

  •  If students had been provided explicit instruction on syllable types, they could have identified where the division occurs in each word and divide the word into manageable syllables. 

  • They could have isolated the root, base, and affixes, thereby also making the word more manageable to decode. 

10+ years later and I still cringe when I think about that comment, and at the thought of this idea (or rather, lie) being perpetuated — that reading instruction at the intermediate and upper elementary level comes to a halt because the words “can’t be sounded out” like readers are taught to do in K-2.

As students get older and have more advanced texts in their hands, we must move with them and guide them and give them more advanced strategies. It’s no coincidence that this is also the age when students, who once liked to read, avoid it. There is an absence of explicit strategies to support them. It’s now hard. It’s frustrating. It’s no longer enjoyable. 

Decoding text is just one component of the ability to be a proficient reader. We need comprehension as well. However, if students cannot master decoding fluently, they will not be able to work on comprehending efficiently. With explicit instruction in advanced phonemic and phonological awareness, syllable division, and morphology, we can help bridge that instructional gap and provide students with what they need to guide them towards becoming competent and confident readers who actually want to read once they cross the bridge from the lower elementary grades to the upper elementary grades. One best practice at a time, and we CAN appropriately support and motivate these transitional readers.

Sentence Scooping as a Fluency Tool

Fluency is more than just reading at a certain speed. A fluent reader will read smoothly at an appropriate rate with accuracy and prosody. A slow speed and / or choppy reading, lack of expression, inability to acknowledge the function of punctuation, and incorrectly grouping words and phrases within a sentence, will also contribute to inadequate comprehension of the text.

That last piece — incorrectly grouping words — can really make or break a student’s overall flow, and thus, ability to comprehend what he or she has read. This is where scooping comes in. Scooping is the ability to appropriately chunk — or group — words and phrases to produce a smoother and more meaningful reading of the text. While scooping can be implemented successfully with younger readers, this tool is particularly helpful for older students who are reading more complex sentences and will not benefit from pointing to each word in simple sentences. They must learn to scoop. First, they will learn to do it with a visual, but eventually, they will do it automatically, reaching their goal of fluency.

Here is an example of a compound sentence with scooped phrases. While you do not have to, it can be helpful in the introductory stages of scooping instruction to have students use a different color for each scoop. However, using different colors for each scoop WILL be beneficial when text within a scoop is split between lines. You may also use just two different color and alternate between them. Once the scoops are drawn, students may initially use their finger to “swoop each scoop” as they read, paying attention to punctuation more closely, and adding expression.

When introducing this method, you may choose to use the gradual release of responsibility model, a structured method that aims to provide the student responsibility of the content taught in gradual steps until they are capable of completing the task independently. In this case, after you have explained the concept of scooping, you would take these steps:

  1. YOU scoop a sentence to model how it’s done.

  2. YOU AND THE STUDENT work on scooping a sentence together.

  3. THE STUDENT scoops a sentence independently.

With practice of this strategy, students will be able to focus on one scoop at a time, making the text more conducive for fluent reading. With even more practice, students will not need to mark the scoops, as they will be able to do this with automaticity and arrive one step closer to a goal of fluent reading.

One quick note about scooping and fluency: For scooping to be effective, students must have strong phonological awareness. They must be able to decode and have a proficient awareness of phoneme-grapheme relationships. Without this fundamental base, scooping will not be a useful tool yet.

Looking for more ways to work on fluency at the upper level? I created these monthly fluency sets (available as a bundle or individually) to support students working towards fluency (and comprehension) with complex sentence structures, multisyllabic words, and tier 2 vocabulary. These texts are a few sentences and bridge the transition from sentence level fluency to longer passage fluency.

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